|
Drama Home // Jordan
Daze // Video Project Plan // Storyboard
// Script // Design Plot
// iMovie // Rubrics
|
JORDAN DAZE - A Middle School Soap Opera
THE SCRIPT
|
 |
Basically speaking:
Once you have an idea of your plot and have begun creating your Storyboard,
one or two group members can be writing your script. Use Word to create
the document, and be sure to store it in your Daze group folder. That
way
your instructor can see it, and other group members can work on it if
someone is absent.
What follows is a suggested formula for your plot, based on conventional
dramatic structure with the genre of Melodrama in mind. If you deviate
from this formula, make sure you hit the main points of dramatic structure
in your plot.
|
| |
Conventional Plot Structure:
- Exposition - this usually involves characters, often
secondary ones,
talking about a situation or circumstances; sometimes describing main
characters before we see them. We learn something about the world
of the play and characters who might be at odds.
- Inciting Incident - this is something that brings two
forces into struggle
or opposition. Sometimes the incident has happened already when the
play begins; other times it happens shortly after the beginning
|
| |
- Rising Action - a series of events/scenes that escalate
the conflict.
We should begin to feel that a final showdown is inevitable.
- Climax - this is the peak of the struggle or conflict;
the deciding
battle. One of the forces will emerge the victor after this, at least
temporarily. |
| |
- Denouement - a fancy French term for "falling
away", or what
happens after the climax, when we learn the fate of both the victor
and the loser. Sometimes a resolution, sometimes a temporary
withdrawal from battle. (Think sequel!)
|
 |
FOR YOUR SOAP:
Scenes 1-2 - should provide sufficient exposition to
introduce main
characters and give us an idea of potential for conflict or struggle.
Scenes 2-3 - Inciting Incident-- put two sides into
conflict. If the
conflict is Interior (i.e. one character struggling with something inside
him/herself, some major decision or problem), then show what sets
up the problem.
Scenes 3-4-5 - Rising action scenes; show developments
in the
struggle. Don't get side-tracked-- this is too short a movie to
develop sub-plots and complex stories. Remember that in melodrama
we're looking for vicarious chills, thrills & ills-- it's all about
PLOT. |
| |
Scenes 5-6 - Make a good climax-- something dramatic!
Surprises,
twists and turns, revelations, and resurrections all make for good
melodrama climax. Remember that in melodrama the good guys
are ALWAYS victorious-- it's a bogus world.
Often, the climax and denouement happen in the same scene-- the
denouement might be very short, as in "They all lived happily ever
after." But for soap, also think sequel...
|
| |
Cast of Characters - You should include two or
more of the following:
Popular Girls, including the Rich Girl - the usual elitists
Jocks - the usual bozos
The "nice" Jock - a leader, a non-conformist
The new girl - sweet & artsy
Nerds - bright but clueless
You may add teachers or administrators as long as
you don't make them a specific real person...
|
| |

|
 |
| |
|
| |
|
| |
|
| |
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|